• Negotiating Equity
  • About
  • 636
  • Absence/Presence
  • Afterimage
  • All Day Long
  • Bangalore Tours
  • Bengaluru Data Bank Soundtrack
  • Black & White
  • Borom Sarret
  • Dangers & annoyances
  • DARKROOM
  • Dear Museum, Dear Guests,
  • Documentation "Comme Si" Dakar
  • Donations Delft
  • Evidence
  • Godsend
  • Greyland
  • Haarhandel
  • IMITATISM
  • Imported Monument (export identity)
  • Invisible City
  • Legerbasis Bewoners
  • losing the track
  • Me, Art & Anna
  • Me, Art & Freddy
  • Meal Machine - the domestic cyborg
  • Meat-lovers*
  • missing the translation
  • One day Living Drawing
  • Overexposure
  • PAUW & WITTEMAN EASTSIDE
  • POSTCARDS
  • RE/COLLECTING
  • Restaging Disappearance
  • Roadstead Rhythms
  • RZs 856
  • Solar Energy Clock
  • Space is the place
  • subjectivity changes a subject
  • Sunshine is the best disinfectant
  • The Bald and the Beautiful
  • The Negotiating Equity Showreel
  • The Rumour of the Copy
  • THIS PROJECT DID NOT HAPPEN.
  • TRUMPS
  • Urban Dynamic Relations
  • Været
  • War Tourism
  • When I was the Environment
  • Working on Volcanic Matter
War Tourism
Aug 2nd, 2010 by Lauren Alexander | Comments Off

Warzone observations near and far

During a trip to Northern Uganda (in 2007), a war zone for more than the last 20 years, I visited many of IDP camps (Internally Displaced Peoples camps). Most people living in this war stricken area, have been forced to move because rebel forces are active in the surrounding dense forests. The rebels are well known for capturing children living in small surrounding villages. They brainwash a whole army of children into carrying out their military agenda. To avoid this, the people live in clustered camps, away from the land they once owned and used for their livelyhood. Organisations such as the UN and the Unicef, have a noticeable presence in these areas. Their workers and large cars populate the few luxury hotels in the vicinity, and their food and supplies are provided by those living in these camps. If you, as a Western- looking tourist visit one of these camps, you too appear as  someone who is bringing money and assistance, or perhaps it seems that you are coming to monitor how the locals are doing with the foreign money they have been given. When you arrive in your 4X4, you are immediately escorted to a live performance of welcoming, with song,  dance, drama. You sit, listen, clap and after some time, you leave.

After I returned from Uganda, I wanted to search for people living in Amsterdam, who were escaping these war conditions which I witnessed in Uganda. I managed to speak with John in the Bijlmer one day. The interview was conducted in an uninhabited house, with no electricity, and a man sleeping upstairs. John, was maybe one of the lucky ones to have escaped from persecution in Uganda, but in Holland he still needs to leads a life which is not picked up by the radar, and relies on the help of Ugandan community living in the Bijlmer.

Bijlmer_interview (click here to listen)

Also see: Dear Guilt Industries

Posted in | Comments Off

  • Blogroll

    • Dutch Art Institute
    • n.e.w.s.
    • Space the Final Frontier
    • Srishti School of Art, Design and Technology
    • Center for Experimental Media Arts | CEMA
    • Nieuwe Vide
  • Participants 2012

    • Momu and No Es
      • Space is the place
    • Ingeborg Entrop
      • Roadstead Rhythms
        • Prélude
        • Partita
        • Interlude
        • Coda
    • Magda Mellin
      • Absence/Presence
      • Restaging Disappearance
      • subjectivity changes a subject
    • Maja Hodoscek
      • Borom Sarret
      • POSTCARDS
    • Padraig Robinson
      • Imported Monument (export identity)
    • Yoerie Guepin
      • Documentation “Comme Si” Dakar
  • Archives

    • August 2012
    • June 2012
    • April 2012
    • February 2012
    • December 2011
    • October 2011
    • August 2011
    • May 2011
    • April 2011
    • March 2011
    • February 2011
    • January 2011
    • December 2010
    • November 2010
    • September 2010
    • June 2010
    • May 2010
    • April 2010
    • March 2010
    • February 2010
    • December 2009
    • November 2009
    • October 2009
    • July 2009
    • June 2009
    • May 2009
    • April 2009
    • March 2009
    • February 2009
    • January 2009
  • Participants 2011

    • After Image
      • Afterimage
    • Bengaluru Data Bank
      • Bengaluru Data Bank Soundtrack
    • Doris Denekamp
      • Meal Machine – the domestic cyborg
    • Rosie Heinrich
      • Greyland
    • Ane Ostrem
      • losing the track
      • Været
    • Eric Philippoz
      • Dangers & annoyances
    • Patricia Sousa
      • Bangalore Tours
    • Nancy Tjong
      • Meat-lovers*
    • Kostas Tzimoulis
      • missing the translation
    • Eelco Wagenaar
      • Solar Energy Clock
  • Participants 2010

    • Lauren Alexander
      • Sunshine is the best disinfectant
      • TRUMPS
      • War Tourism
    • Frederik Gruyaert
      • Me, Art & Anna
      • The Negotiating Equity Showreel
    • Anna Hoetjes
      • Me, Art & Freddy
      • PAUW & WITTEMAN EASTSIDE
      • THIS PROJECT DID NOT HAPPEN.
    • Jeroen Marttin
      • RZs 856
    • Eva Olthof
      • Legerbasis Bewoners
      • Working on Volcanic Matter
    • Charlotte Rooijackers
      • Dear Museum, Dear Guests,
      • RE/COLLECTING
      • The Rumour of the Copy
    • Marttin Soddu
      • Haarhandel
    • Vittoria Soddu
      • The Bald and the Beautiful
    • Kostas Tzimoulis
      • Invisible City
    • Eelco Wagenaar
      • Urban Dynamic Relations
  • Participants 2009

    • Amanda Koelman
    • Hidenori Mitsue
    • James Skunca
    • Jimini Hignett
    • Julio Pastor
    • Laetitia Queyranne
    • Manami Yoshimoto
    • Marina Tomic
    • Marina and Veridiana
    • Raymond Huizinga
    • Suzanne van Rest
    • Veridiana Zurita
Negotiating Equity © 2018